A Song For Friday: MIZU

Robert Schumann and so much more inspire a brilliant sophomore album

When I reviewed MIZU’s Distant Intervals, the first album by this polymathic music adventurer, I noted, “The way she layers her cello into massed walls of sound, or combines various multi-textured strands is not only a sound to lose yourself in, but one that seems to hold you up.” Now comes Forest Scenes, about which I can say much the same, only more s…